Holograms in the Museum
Holograms in the Museum at the School of Arts Birkbeck
This interdisciplinary discussion brings together animators, designers and media and cultural studies scholars to consider the changing significance of holograms in artistic and cultural practice.
Today the term “hologram” is often used to describe a wide variety of three-dimensional and virtual imagery, generated by technologies ranging from Pepper’s ghosts to augmented reality. Museums and galleries are increasingly using these technologies to reanimate the past, create interactive visitor experiences and offer access to absent or fragile artefacts.
Beyond the initial excitement of these dazzling holographic spectacles, this event creates an opportunity to consider the aesthetic, ethical and technical questions raised by these practices. Why are holograms so popular as a means to reanimate history and culture? How do they alter existing practices of memory and memorialisation? What are our responsibilities when using holograms to reanimate people? How do holograms affect our temporal relationships with people, objects and artefacts? Why has holography become a metaphor for so many types of virtual experience?
The event will feature presentations from Chris Walker, and Nick Lambert, Jazz Rasool and Mike Smith, followed by a panel discussion chaired by Dr Silke Arnold-de Simine, Reader in Memory, Media and Cultural Studies at Birkbeck.
This event coincides with the exhibition Leonardo da Vinci and Perpetual Motion: Visualising Impossible Machines, which is taking place in the Peltz Gallery from 6 February to 12 March 2019. Prior to the discussion, there will also be an opportunity to experience the Holo Lens animation of da Vinci’s designs in the Peltz Gallery from 5pm.
For tickets and further information, please see here.
Contact email@example.com for further information.
Date: Friday 1 March 2019
Venue: Keynes Library, School of Arts Birkbeck, 43 Gordon Square, London, WC1H 0PD
Free. All welcome