CFP | “The Bounded Field” | Session at College Art Association | Chicago | 12-15 February 2020
The groundbreaking 2014 exhibition, Silent Partners: Artist & Mannequin from Function to Fetish, brought renewed attention to the subject of the lay figure in Western art. The proposed panel will complement this and other recent scholarly contributions on artists’ models by considering how landscapes, rather than figures, were represented, miniaturized, and mocked-up in workshop settings. According to Johann Neudörffer, the late-medieval sculptor Veit Stoss likely relied upon a topographical relief of mountains and rivers when carving scenery, and in the eighteenth century, the painter Thomas Gainsborough famously constructed a table-top landscape consisting of “cork and coal,” “sand and clay,” “bushes of mosses,” and “distant woods of broccoli.” As these cases suggest, the purview for the session will be broad, comprising examples drawn from a range of geographies and time periods. The ontological uncertainty of the model—tool? work of art? both?—will also inform a wider discussion of why there are so few independent landscapes in the Western sculptural tradition. Topics explored may include naturalia and artificialia; the relationship between microcosm and macrocosm; dioramas and natural history; seriality; divisions of labor; and problems of scale. Finally, papers are also welcome on the subject of miniaturized landscapes not as models per se, but rather as they appear in the bases or backgrounds of finished sculpture.
In order to submit, gather the following and send via email to the chair, Ruth Ezra (Harvard University), rezra AT fas.harvard.edu before July 23, 2019.
- Completed proposal form (click to download).
- A shortened CV (close to 2 pages).
- (Optional) Documentation of work when appropriate, limit to five images as a single PDF, especially for sessions in which artists might discuss their own practice.
More info here