Exploring the Plurality of Artists’ Practices: Artists as dealers and agents

Session Convenors: 

Adriana Turpin (IESA, Paris) pluralpractices@gmail.com

Marie Tavinor (Christie’s Education, London) pluralpractices@gmail.com

Please email your paper proposal to the session convenors using the Paper Proposal Form

Abstract:

Tropes from the Romantic era depicted artistic practice as an expression of the artists’ ‘isolated genius’ which, in sociological terms, translated into the ‘autonomisation of intellectual and artistic production’, as a form of ‘auto-normativity’. This session, however, aims to subvert such compartmentalisation of artistic activities and think about artistic practices – in the plural – which extend beyond the intellectualisation of ‘disegno’. In particular, we would invite papers that seek to bridge seemingly disparate areas of artistic practice and explore the activities of artists as commercial agents.

Artists were involved in negotiating the complex art worlds of their day, cultivating patrons, creating support networks or supplementing their incomes through dealing in art. From the Renaissance, artists often acted for the patrons in both the primary and secondary market for collecting, shaping the taste and opportunities for artists other than themselves. Indeed, their knowledge and experience as artists was highly valued as Giovanni Maria Sasso or Gavin Hamilton operated simultaneously as restorers, dealers, agents or collectors.

This session thus invites papers covering all periods of art history and exploring plural notion of ‘artistic practices’ as means to expand its meaning and application. We are particularly interested in how artists shaped taste and collections, acted as dealers, or revised their own practices in response to an increasingly international art market.

Submit a paper

Please email your paper proposals direct to the session convenors above, using the Paper Proposal Form

You need to provide a title and abstract (250 words maximum) for a 25-minute paper (unless otherwise specified), your name and institutional affiliation (if any).

Please make sure the title is concise and reflects the contents of the paper because the title is what appears online, in social media and in the printed programme.

You should receive an acknowledgement receipt of your submission within two weeks from the session convenors.

Deadline for submissions: Monday 21 October 2019

 

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