Gabriel Gee (Franklin University, Switzerland & TETI Group – Textures and Experiences of Trans-Industriality) email@example.com
Bryan Biggs (Bluecoat, Liverpool) firstname.lastname@example.org
Please email your paper proposal to the session convenors using the Paper Proposal Form
The marine emerged as a pictorial genre in Europe in the early modern age. Painters turned their eyes to the sea, to ships, coasts and harbour scenes, while European maritime commercial networks extended their reach across the oceans. In the 20th century, the standardisation of containers in maritime transportation induced a separation of port cities and their inhabitants from port infrastructures. The perception of the maritime realm and the identities of port cities significantly changed, as aerial channels took over passenger transportation, while former inner-city harbours were converted into leisure areas away from the seas’ silent economic machinery.
In parallel, hybrid forms and narratives in artistic practices emerged with the capacity to interrogate the cultural and industrial textures underlying our present interconnected world. This session aims to look at the production of hybrid marines, inviting papers engaging with maritime representations in the visual arts. Hybridity opens two (potentially overlapping) paths of enquiry into the marine: first a hybridity in form, considering how practitioners exploring maritime realms have developed new formats, new techniques, and new strategies transcending traditional medium boundaries; the session will aim to reflect on the specificity of these formal researches as they pertain to the maritime. Second, a representational hybridity, investigating the extent to which seascapes could integrate multifocal points of view, as opposed to more traditional linear perspectives. In this vein, the session aims to reflect on the criticality of the contemporary marine, in its capacity to unfold maritime heritage and discourses, as well as draw alternative imaginaries for the present.
Submit a paper
Please email your paper proposals direct to the session convenors above, using the Paper Proposal Form
You need to provide a title and abstract (250 words maximum) for a 25-minute paper (unless otherwise specified), your name and institutional affiliation (if any).
Please make sure the title is concise and reflects the contents of the paper because the title is what appears online, in social media and in the printed programme.
You should receive an acknowledgement receipt of your submission within two weeks from the session convenors.
Deadline for submissions: Monday 21 October 2019