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Art History, Architecture, Visual Culture
Making Waves
7th June 2022
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Flinders Petrie and Eugenics at UCL
7th June 2022
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A Sidelong Glance: The Practice of African Diaspora Art History in the United States
7th June 2022
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The Evidence of Things Not Photographed: Slavery and Historical Memory in the British West Indies
7th June 2022
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Conference Proceedings: Photography and Britishness
7th June 2022
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Frank Bowling and the Appetite for British Pop
7th June 2022
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Weimar’s Others: Art History, Alterity and Regionalism in Inter?War Germany
7th June 2022
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By cruel foes oppress’d: British naval draughtsmen in Tahiti and the South Pacific in the 1840s
7th June 2022
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Art history and double consciousness: visual culture and eighteenth-century maritime Britain
7th June 2022
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Eugene Palmer and Barbara Walker: Photography and the Black Subject
7th June 2022
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June Givanni’s Pan-African Cinema Archive: A Diasporic Feminist Dwelling Space
7th June 2022
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The Aesthetics of Migration in an Age of Anxiety: Zineb Sedira, Allan deSouza, and Mary Evans
7th June 2022
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Marginal, Mobile, Multilayered: Painted Invitation Letters as Bazaar Objects in Early Modern India
7th June 2022
http://www.journal18.org/527
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“Exciting a Wider Interest in the Art of India”: The 1931 Burlington Fine Arts Club Exhibition
7th June 2022
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Haptic Blackness: The Double Life of an 18th-century Bust
7th June 2022
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Intimacy, Queerness and Race
7th June 2022
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Ethnicity and internationally: New British art and diaspora based blackness
7th June 2022
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London, Asia, Exhibitions, Histories
7th June 2022
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Environmental Challenges and Eco-Aesthetics in Nigeria’s Niger Delta
7th June 2022
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A War of Words: Speech, Script and Print in the Maroon War of 1795–6
7th June 2022
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