Meet the trustees

Frances Fowle

Frances holds dual positions as Professor of Nineteenth-Century Art at Edinburgh College of Art, University of Edinburgh and as Senior Curator of French Art at the National Galleries of Scotland. She specialises in European and American nineteenth-century art, focusing on collecting, the art market, national identity, cultural revival and artistic networks. Frances began her career at Sotheby’s and, briefly, as an arts journalist. She gained her PhD at the University of Edinburgh has taught at the universities of Aberdeen, Glasgow and at Edinburgh College of Art. She worked at Tate Britain before joining the National Galleries of Scotland in 2001 and the University of Edinburgh in 2005. Frances is currently Chair of the Burrell Collection in Glasgow.

Neil Fray

Neil is based at the MND Association as their Director of Finance. He is an experienced Finance and Non-Executive Director in both the not-for-profit and commercial sectors. He brings a wide range of expertise to the organisation including strategic finance, income generation, governance and IT. Neil also has a passion for art history, completing his Masters Degree with the Open University in 2014. His final dissertation was on John Piper and the Coventry Cathedrals. More recently he has started to explore an interest in art and the environment, in particular the social impact that art can have on the public understanding of climate change.

Alixe Bovey

Alixe Bovey is a specialist in the art and culture of the later Middle Ages, with particular interests in illuminated manuscripts, pictorial narrative, and the relationship between mythic history and material culture. She is Dean and Deputy Director and Head of Research at The Courtauld Institute of Art, and became a trustee of the Association for Art History in 2017. She has held posts at the British Library and the University of Kent, and is a member of Canterbury Cathedral’s Fabric Advisory Committee.

Jacky Klein

Jacky Klein is an art historian, publisher and broadcaster. After gaining a First Class degree in History from Oxford University and an MA with Distinction from the Courtauld Institute, she worked as a curator at the Barbican, Courtauld and Hayward galleries. In 2008 she moved sideways into the world of publishing, as commissioning editor for art books at Thames & Hudson. She subsequently worked at Phaidon Press, Tate Publishing and HENI Publishing. As a broadcaster, she has written, presented and contributed to arts films and documentaries for the BBC, Channel 5, the Travel Channel, Bloomberg TV, The Art Fund, Christie's and Tate, and is a regular contributor on BBC radio.

Suzy Lishman

Suzy is a consultant pathologist at Peterborough City Hospital, specialising in the diagnosis of bowel cancer. She studied art history with the Open University, writing her dissertation on Botticelli's Mystic Nativity. Suzy has many years' experience of public and political engagement, raising the profile of pathology with a wide range of audiences. She is the immediate past president of the Royal College of Pathologists and was awarded a CBE in 2018 for services to pathology. Suzy has been a trustee of several charities for many years and is pleased to combine her experience of governance and engagement with her interest in art history. She is particularly interested in the crossover between art and science and the benefits that studying art has for doctors' observational skills. Suzy is an experienced public speaker and broadcaster, entertaining audiences on a range of topics from the effect of arsenic in Victorian wallpaper to the vital role of pathology in modern healthcare.

Paula Sankoff

Paula Sankoff is a senior sales director at Victoria Miro Gallery. Forging relationships with collectors, curators and art market professionals, she has built connections across the industry, working closely with artists and artist’s estates. Alongside her role in the contemporary art market, she has contributed to catalogues for exhibitions at the Museum of Modern Art, the Bonnefanten Museum, and the VCUarts Anderson Gallery at the Virginia Museum of Fine Arts, as well as to publications such as Artforum and the Burlington Magazine. She co-edited two anthologies of artist’s writings (Dan Flavin and Carl Andre) published by Thames & Hudson and has served as a guest lecturer at Sotheby’s Institute of Art. She holds a PhD and MA from the Courtauld, and is a member of the Courtauld Association Committee.

Jorella Andrews

Is a Senior Lecturer in Visual Cultures at Goldsmiths, University of London. Jorella trained as a fine artist and then as an art theorist. Her academic work focuses on the relations between philosophical inquiry, the image-world, and art practice, with a particular emphasis on phenomenology, notably the work of Maurice Merleau-Ponty. She is also more broadly engaged with debates in contemporary continental aesthetics and in the field of material culture, where her interests, and publications, are directed towards practices and theories of ornamentation in art, art theory, architecture, design and craft.

Emma Black

Emma is an independent consultant who advises organisations in the cultural and heritage sectors on strategy, planning and fundraising. She has a professional background in development at major national museums in the UK, having worked as Individual Giving Manager at the National Portrait Gallery and as Head of Individual Giving at the Science Museum Group. She has a deep interest in the visual arts and art history, with a bachelor’s degree in fine art from Central St. Martin’s College of Art and Design and an MA in Art History from Birkbeck College. Her volunteer work includes serving as a Trustee at The Big Draw.

Caroline Campbell

Caroline is Director of Collections and Research at the National Gallery in London. Born and educated in Belfast, she studied at University College, Oxford and the Courtauld Institute of Art before embarking on a curatorial career. Caroline has worked for three great British museums - the National Gallery, the Courtauld Gallery and the Ashmolean. She has authored a number of exhibition catalogues, book chapters and articles and curated exhibitions throughout her career, including Montegna and Bellini and Making Colour at the National Gallery. She is a specialist in Italian Renaissance art, but with wide art historical interests, and a commitment to making art and its histories open to all.

Kathryn Havelock

Kathryn Havelock is Head of Communications at The Wallace Collection. She is a Chartered Marketer, member of the Museums Association, and has fifteen years’ professional experience from leading arts, leisure and heritage organisations. Kathryn holds a first class degree in History of Art and Architecture from the University of Reading, an MA in Art History from UCL, an MA in Museum Studies from the University of Leicester, and an MA Renaissance Studies from Birkbeck, University of London. She also holds Chartered Institute of Marketing diplomas in both Marketing and Digital Marketing. She has served on the board of the Arts Marketing Association and serves on the Advisory Council for Marketing Degree Programmes for London South Bank University.

Neil Walton

Neil Walton is Subject Leader for PGCE Secondary Art and Design at Goldsmiths, University of London. He has an MA in History of Art from Birkbeck, University of London, and a Postgraduate Diploma in Counselling and Psychotherapy from the University of Roehampton. Neil initially trained as a painter, at degree level and then a Postgraduate Diploma from the Royal Academy Schools. For over a decade he taught Art and Design and A Level Philosophy in London secondary schools. He has also taught art history in further and higher education at various art schools and colleges. Neil has also worked as a counsellor, mostly with adolescents. His research interests are in the history of art education and psychoanalytic aesthetics. He has published broadly, and is currently writing about the importance of art history in the secondary Art and Design curriculum.

Michael White

Michael White is a professor at the University of York, where he served as Deputy and then Head of the History of Art Department from 2011-2020. His principle area of expertise is the European avant-gardes of the early twentieth century, on which he has published extensively, particularly on groups such as the Dadaists and the De Stijl artists active in the Netherlands at the end of the First World War. Alongside his scholarship, Michael has curated exhibitions at Tate Modern and Tate Liverpool, and advised the Kunstmuseum Den Haag on the display of its permanent collection. Since 2014, he has been developing collaborative teaching at York in the area of Art Law, which is the subject of his latest research projects. He is especially interested in the intersection of art history with subjects outside of the humanities.