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Critique, Homage, Iconoclasm? The reuse of 19th-Century Photography in Contemporary Art and Visual Culture

Since its invention photography has undergone continual redefinition, reshaping what we understand the medium to be—technologically, materially, and conceptually. As photography evolves, artists and others frequently return to early photographic technologies and image practices. This session explores how 19th-century photography... Read More...

Creative Resistance: Responding to Protracted Violence Through Art

How do creative practices represent and interrogate both immediate and protracted forms of violence in the context of war and ecocide in different time periods, and different regions affected by conflict and environmental changes? What role do artistic interventions play... Read More...

Contemporary Proto-Feminisms: Reclaiming Historical Femininity in Practice and Criticism

This session invites presentations on contemporary visual art and recent art histories (post-1960) that revise and iterate upon proto-feminism. It asks: how might we extend and revise the term ‘proto-feminism’ beyond its conventional grounding in literary and art historical discourse... Read More...

Connecting Ecocritical Art Histories

Ecocriticism—that is, critical approaches to understanding the interconnection of terrestrial beings, elements, forces, and systems—has become a significant dynamic in art history over the past decades. This development has progressed in different ways within various areas of art history, and... Read More...

Confounding Images: Frustration as Art Historical Method

If the mission of Art History is to make sense of visual and material cultures, then what can be learned from objects that resist art historical study? This panel invites contributors to reflect on pre-modern artworks that they find compelling,... Read More...

Concepts of Nature in German Art at the Intersection of Colonialism, Lebensreform, and Evolutionary Theory

Discourses of nature and culture were central to German society and formulations of national identity in the late 19th and early 20th centuries. This was fueled by the rise of the Lebensreform movement and the popularity of homeopathy, the embrace... Read More...

Co-creation: Human and non-human making processes and their environmental entanglements

This panel offers a geographically and chronologically broad, interdisciplinary framework for re-evaluating human and so-called non-human interactions and their environmental implications in the creative process. Informed by recent work by scholars including Giovanni Aloi, Robin Wall Kimmerer, Sugata Ray, and... Read More...

Chinatowns in Global Imagination

Chinatown represents a crucial space in the global circulation of Chinese culture. From Chinese cafés across Europe and the US to barrios chinos in Latin America and the Caribbean, these enclaves have long functioned as sites of both cultural adaptation... Read More...

Carrying Across: Translation as Material Practice in the Pre-/Early Modern World

This session explores how portable things, such as reliquaries, textiles, books, and tools, are objects of translation. A coconut shell from Ceylon, joined to a Fatimid rock-crystal ewer and refashioned as a Christian reliquary in thirteenth-century Münster, invites us to... Read More...

Britishness, Empire & the Picturesque

How did Britain visualise its Empire? Perhaps, through its picturesque depictions of landscape. 2025, marks the 250th birth anniversary of J.M.W. Turner, generating a host of exhibitions celebrating Turner’s picturesque navigations of British and Imperial terrain (think India and Wales). But,... Read More...

British Art, Incorporated

In recent decades, protests against corporate patronage have erupted in the galleries of Britain’s museums, making international headlines. Interventions by groups such as Art Not Oil, Liberate Tate, and Prescription Addiction Intervention Now have demanded that institutions confront the relationship... Read More...

Book-objects: Bookness and artmaking 

From early illuminated manuscripts to the tradition of editorial design, words and images have long found in the book a locus for creative encounters. In the 20th century, however, a different kind of phenomenon emerged: the global boom of the... Read More...

Blue Aesthetics: Art and Aquatic Life

In an era of ecological crisis, multispecies entanglements, and heightened awareness of planetary interdependencies, we invite critical inquiries at the intersection of art history, artistic practices, blue humanities and animal studies. We seek to create a forum for reflecting on... Read More...

Beyond Barbie: Queer, Crip, Feminist and Anti-Racist Approaches to Pink

In the widely declared Year of Pink, thanks to the release of Barbie (2023), Pope.L expanded his iterative performance Eating the Wall Street Journal into Hospital at South London Gallery, an installation of ruined interiors with broken wooden towers, fragments... Read More...

At the Service of Art: Domestic Servants and Their Artists

This panel will examine the pivotal role played by an unexpected figure in the lives of artists: the domestic servant. Most artists employed domestic help: they belonged to the higher classes or to the bourgeoisie, for whom having domestic servants... Read More...

Artistic Exchanges during the Global Cold War: Eastern Bloc, Northern Africa, and West Asia

This panel explores how transregional cultural exchanges between the Arab world and the former Eastern Bloc shaped artistic and creative practices during the Global Cold War. The transregional encounters of artists, architects, curators, and archaeologists ensured the transfer of ideas... Read More...

Art, Activism, and Power in the Contemporary Post-Soviet Space

This session invites artists, curators, and researchers to reflect on the evolving role of art and activism in the contemporary post-Soviet space. Across much of the region, the legacies of Soviet control intersect with new forms of authoritarianism. Freedom of... Read More...

Art Writing: Beyond the Crisis?

At a time when the discipline of art history is seeking ever greater diversity in both subject matter and practitioners, this same diversity has not penetrated to the level of art writing. As Brad Haylock and Megan Patty (2021), James... Read More...

Art is Dead: Long Live the Artist – Creativity in the Times of AI

For over a century, the “death of art” has been repeatedly anticipated. From the invention of photography in the late 19th century to the rise of mass printing, digital illustration, NFTs, and now artificial intelligence, each wave of technological innovation... Read More...

Art History: Facts and Fiction?

This panel explores a neglected tradition in art history: the strategic use of fictional elements in scholarly writing. We seek to examine the scope of this underexplored practice and consider the benefits, challenges and legacies of such creative strategies. The... Read More...
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