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SESSION: Artistic Exchanges during the Global Cold War: Eastern Bloc, Northern Africa, and West Asia

This panel explores how transregional cultural exchanges between the Arab world and the former Eastern Bloc shaped artistic and creative practices during the Global Cold War. The transregional encounters of artists, architects, curators, and archaeologists ensured the transfer of ideas... Read More...

SESSION: Visual Art and South Asian Textiles

Famed for their techniques, materials, processes of making, and the symbolism they evoke, textiles from South Asia have amassed significant connoisseurship owing to their value, collectability, and desirability. Textiles from the region are often couched within circuits of trade and... Read More...

SESSION: The History of Museum Access

In the late 20th century, museum spaces underwent significant changes as a result of the United States’ Rehabilitation Act of 1954, the Rehabilitation Act of 1973, and the Americans with Disabilities Act of 1990. These laws sought to combat discrimination... Read More...

SESSION: Technical Art History: Integrating Art History with Scientific Inquiry

Scientific and technical inquiry has transformed the way we see artworks and has helped challenge established narratives of authorship, dating, and studio practice. Yet these studies too often unfold in disciplinary silos: scientists generate data without sufficient (art)-historical framing, while... Read More...

SESSION: Reimagining the Fragment (FULL-DAY PART 2)

This panel seeks to explore the fragment broadly construed as both a physical entity and a methodological approach.  In the discipline of art history, the fragment calls to mind ancient marble bodies, like the Belvedere Torso, and the ways in... Read More...

SESSION: Reforms, revivals and returns revisited

Reforms, revivals and returns in the visual arts have taken many avenues and have had many departure and end points. By seeking an alternative path, they often promised a distinctive departure from the powers of capitalism. For instance, calls for... Read More...

SESSION: Local Studies (FULL-DAY PART 2)

In recent decades, scholars have increasingly challenged the dominance of canonical centres in art historical narratives. Yet the frameworks of centre and periphery continue to shape how local art histories are researched, written and valued. Too often, studies of regional... Read More...

SESSION: Intermedia Dialogues in Art and Architecture

This session explores intermedia practices in art, where “the life of the (moving) image,” as Ethel-Ruth Tawe (2025) notes, follows the movement of people and communities, forced or otherwise. It draws on postcolonial and decolonial theory to interrogate the displacement... Read More...

SESSION: Images and Pictures

The relationship between pictures and images – not only the retinal images processed in visual perception but also the mental images of memories, dreams and visualisations – has been an object of scientific investigation since the late nineteenth century, and... Read More...

SESSION: How British is British Surrealism, 1936-2026?

This panel invites analysis of the histories of British Surrealism between its arrival on British shores as marked by the 1936 International Surrealist Exhibition in London and its recent mapping on the national and international stage in centenary exhibitions of... Read More...

SESSION: Horizontal Art History in Global Context: East Central Europe in the Present

In 2008, the Polish art historian Piotr Piotrowski published “On the Spatial Turn, or Horizontal Art History,” critiquing the marginalization of modern east-central Europe in art history. Since then, international scholarship on the art of, for example, Hungary, Yugoslavia, Poland... Read More...

SESSION: Facing the Mongol Empire: The Role of Art History (FULL DAY – PART 2)

In the vibrant field of Middle Period art history, the study of cultures across Northeast Asia, the region from the Korean peninsula to the edges of the Taklamakan desert, is beginning to stand out. In this area, Kitan/Liao, Tangut/Xia, Jurchen/Jin,... Read More...

SESSION: Early Modern Caribbean Material Culture, c.1600-1830

Ranging from earthenware ceramics to mahogany furniture, textiles, metalwork, oil paintings, architecture, maps, and prints — the material world of the early modern British, French, Dutch, Spanish, and Afro-Caribbean (c.1600-1830) was richly layered, dynamic, and vast. Many of these objects... Read More...

SESSION: Decolonising Art History – Continuing the Conversation (FULL DAY – PART 2)

The AAH's dedicated resource portal on antiracism and decolonial approaches, established in 2020 during the global pandemic in support of the Black Lives Matter movement, represents a key milestone in our collective efforts. Formed by Higher Education Committee (HEC) members... Read More...

SESSION: Critique, Homage, Iconoclasm? The reuse of 19th-Century Photography in Contemporary Art and Visual Culture  

Since its invention, photography has undergone continual redefinition, reshaping what we understand the medium to be—technologically, materially, and conceptually. As photography evolves, artists and others frequently return to early photographic technologies and image practices. This session explores how 19th-century photography... Read More...

SESSION: Contemporary Proto-Feminisms: Reclaiming Historical Femininity in Practice and Criticism

This session invites presentations on contemporary visual art and recent art histories (post-1960) that revise and iterate upon proto-feminism. It asks: how might we extend and revise the term ‘proto-feminism’ beyond its conventional grounding in literary and art historical discourse... Read More...

SESSION: Concepts of Nature in German Art at the Intersection of Colonialism, Lebensreform, and Evolutionary Theory

Discourses of nature and culture were central to German society and formulations of national identity in the late 19th and early 20th centuries. This was fuelled by the rise of the Lebensreform movement and the popularity of homoeopathy, the embrace... Read More...

SESSION: At the Service of Art: Domestic Servants and Their Artists

This panel examines the pivotal role played by an unexpected figure in the lives of artists: the domestic servant. Most artists employed domestic help: they belonged to the higher classes or to the bourgeoisie, for whom having domestic servants was... Read More...

SESSION: Art is Dead: Long Live the Artist – Creativity in the Times of AI

For over a century, the “death of art” has been repeatedly anticipated. From the invention of photography in the late 19th century to the rise of mass printing, digital illustration, NFTs, and now artificial intelligence, each wave of technological innovation... Read More...

SESSION: Art History Warmed Up?

How can art history respond to the heat of the present? Hito Steyerl’s Medium Hot (2025) proposes temperature as a conceptual framework for understanding art’s entanglement in planetary-scale crises, infrastructures and networks. Rather than stable categories or binaries (hot/cold, digital/analogue,... Read More...
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