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Horizontal Art History in Global Context: East Central Europe in the Present

In 2008, the Polish art historian Piotr Piotrowski published “On the Spatial Turn, or Horizontal Art History,” critiquing the marginalization of modern east-central Europe in art history. Since then, international scholarship on the art of, for example, Hungary, Yugoslavia, Poland... Read More...

Geoaesthetics: Art and Environmental Change in East and Inner Asia (14th–19th Centuries)

The interrelationship between artistic production and the natural environment has been a subject of scholarly interest since the 18th century, with growing relevance as global challenges like climate change and pollution become increasingly urgent. Initially dominated by a Eurocentric lens,... Read More...

Gender and South Asian Visual Cultures in the Twentieth Century

This panel aims to explore the relationships between women and visual culture in twentieth century South Asia, challenging the oppressive structures that inform postcolonial subjectivities and engaging with practices that inaugurate new visual grammars. Scholarship on visual cultures of South... Read More...

Feminist Art History Now

This panel invites contributions that seek to evaluate, critique and imagine feminist art history in the present moment, when noticeable gains in the representation of women artists – as well as other underrepresented constituencies – coincide with a growing tide... Read More...

Feminism, Art, and Politics: Critical Engagements with Heresies (1977-1993) 

This panel invites proposals that critically examine the radical interventions of Heresies: A Feminist Publication on Art and Politics, which was published in New York by the Heresies Collective between 1977 and 1993. This pioneering art magazine fundamentally challenged the... Read More...

Feminism in the Art Institution

Katy Deepwell (2006) argued that ‘who controls our institutions has feminist implications’. This panel will explore the impact of feminism on art institutions, including how work by women artists has been acquired and curated. While feminist politics have often been... Read More...

The Internationalisation of Spanish and Latin American Art in the Long Nineteenth Century

‘Spain’s modern painters are but mediocrities’ declared Richard Ford, the influential British Hispanist, in 1845. At the 1855 Universal Exhibition in Paris, critics proclaimed the death of Spanish art in similar terms: it lacked the ‘soul of Zurbarán and Velázquez’.... Read More...

The Proclivities of Pleasure in Early Modern Art

This session will investigate the representation of pleasure in Early Modern art from the 15th to the 18th centuries. From the pleasure garden to the pronk still life, pleasures and indulgences were a central theme in Early Modern history of... Read More...

The Product Worlds of Art

Original artworks may technically be commodities, but they are fundamentally distinct from the vast world of consumer goods that surround them—this, at least, is the widely shared sentiment of artists, critics, curators, and historians alike. And yet the art system... Read More...

This Must Be The Place: Beyond local/global binaries in ecocritical art history

A deep connection to specific localities continues to be a powerful source of identification and situated knowledge in our field. At the same time, the planetary scale of a globally interconnected ecosystem transcends the limit of the local and the... Read More...

This was Tomorrow: Reframing Pop

2026 marks the seventieth anniversary of This is Tomorrow, the seminal exhibition held at the Whitechapel Gallery in August 1956, and widely cited by scholarship as a definitive moment in the development of Pop Art. The ‘Pop’ on show in... Read More...

Trans (In)visibility in Medieval and Early Modern Visual Cultures

Analyses of modern and contemporary art that foreground trans approaches have burgeoned in recent years, but to date scholars working on earlier periods have been much less visible in the discussion. As such, this session invites proposals on pre-modern visual... Read More...

Women in printing before 1800

Charting the role of women in early modern printmaking is made difficult by the widespread erasure of women’s voices within the records of this time. In Europe, the contribution of women to visual culture was generally hidden behind a male... Read More...

Wildfires in Contemporary Art: New Directions for Eco-Aesthetics

This panel seeks to survey artistic responses in contemporary art to the increasing emergence of wildfires. While a range of visual motifs can signify climate change and environmental upheaval, wildfires are ‘burning bigger, hotter, faster and more often’ writes the... Read More...

Where Photography Happened: Sites of Photographic Experimentation and Pedagogy, 1950–1980

This session seeks to provoke new questions about postwar photographic history by foregrounding the overlooked and decentralised spaces where photography was taught, made, theorised, and exhibited globally. What happens when we shift our gaze away from familiar narratives centred on... Read More...

Visual Art and South Asian Textiles

Famed for the technique, material, process of making and the symbolism they evoke, textiles from South Asia have amassed a significant connoisseurship owing to their value, collectability, and desirability. Textiles from the region are often couched within circuits of trade... Read More...

Victorian Art after Trans Studies

The nineteenth century saw profound transformations in how being and embodiment were figured across British culture. Art and science were at the forefront of these changes. As new forms of subjectivity were being formulated, the relationship between the self and... Read More...

Unstable Monuments. Nation, States, Spaces, and Conflicts in Public Sculpture, 1811-1947

Between 1811 and 1947, two opposing yet simultaneous forces reshaped the global political landscape. On the one hand, centrifugal movements of imperial fragmentation unfolded in Latin America and Asia; on the other, centripetal movements of national unification emerged in Belgium,... Read More...

Uncovering the Victorian Art-Workman

Session in the morning followed by visit to David Parr house in the afternoon. A neglected figure, the Victorian ‘art-workman’ worked largely in a trade context, often as part of a firm supplying skills to leading designers. Hidden within the... Read More...

Transparent Flesh: Reimagining the Medical Image in Contemporary Art

This session investigates how contemporary art engages with the visual regimes of medical imaging to question dominant narratives of bodily transparency, objectivity, and control. From X-rays and MRIs to 3D scans and AI-generated diagnostics, the medical image has come to... Read More...
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