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2019

Fugitive Visions: Art and the Eidetic Image

Session Convenors Elizabeth Buhe, Fordham University Amy Rahn, Stony Brook University (SUNY) Session Abstract Eidetic imagery – vivid pictures seen ‘in the mind’s eye’ – has been a powerful and ongoing source of artistic inspiration. Yet, modernist privileging of disembodied... Read More...

From Casting to Coding: Technologies of sculptural reproduction from antiquity to the present

Session Convenors Elizabeth Johnson, Birkbeck College Rebecca Wade, Leeds Museums and Galleries Session Abstract Recent advances in digital 3D technology have opened up new and exciting possibilities for both artists and art historians, from 3D printed artworks to the use... Read More...

‘Fiction with footnotes’: Writing art history as literary practice

Session Convenor Tilo Reifenstein, York St John University Session Abstract Jaś Elsner’s description of art-historical writing as ekphrasis plants the practice firmly in the purview of poetry, literature or fiction, though be it, in his words, ‘fiction with footnotes’. A... Read More...

Expanding the Ceramic Field in the Long 19th Century

Session Convenors Caroline McCaffrey-Howarth, Visiting Lecturer, V&A/RCA Anne Anderson, V&A Course Director and Tutor Rachel Gotlieb, Gardiner Museum, Toronto Session Abstract This session examines the current scholarly field of ceramics in the long 19th century. It seeks to explore alternative... Read More...

Dress and Dissent: Embodying protest

Session Convenors Annebella Pollen, University of Brighton Louise Purbrick, University of Brighton Session Abstract From Pussy Hats on Women’s Marches to all-black attire at awards ceremonies for the Time’s Up campaign, the use of dress as a form of ‘non-verbal... Read More...

‘Difficult Heritage’ and the Legacies of Empire. Diversifying engagement with material culture in public spaces and museums

Session Convenor Mirjam Brusius, German Historical Institute London/TORCH Oxford Session Abstract The vestiges of empire extend beyond standard conventions of physical control and coercion. Empire persists and proliferates in the present through material and visual representations and celebrations of the... Read More...

Diaspora Artists and British Art History: Intervention–integration–expansion

Session Convenors Alice Correia, University of Salford Anjalie Dalal-Clayton, University of the Arts, London Elizabeth Robles, University of Bristol Session Abstract To date, mainstream surveys of 20th-century British Art have been so narrowly focused as to narrate only a select... Read More...

Workshop: Decolonising the Curriculum: Creative and practical strategies

Katherine Harloe, University of Reading Francesco Ventrella, University of Sussex This workshop will share ideas about what it means and what it takes to decolonise the curriculum today. Our aim is to start a conversation across disciplines, periods and area... Read More...

Danger! Women Reading

Session Convenor Victoria Horne, Northumbria University in Newcastle Session Abstract Throughout modern history the figure of the woman reader has been perceived as potentially subversive or dangerous, ‘a threat to domestic order’ (Long, 2004). She’s a thrillingly ambiguous figure whose... Read More...

Culture, Capital, Collaboration: Towards a new educational exchange

Session Convenor: Trevor Horsewood, Association for Art History Session Abstract: This parallel session acts as a platform for a range of curated conversations around the current and emerging challenges and opportunities for art history in different learning contexts. It builds... Read More...

Critical Pedagogies in the Neoliberal University: Expanding the feminist field in the 21st-century art school

Session Convenors: Marsha Meskimmon, Loughborough University Hilary Robinson, Loughborough University Session Abstract: Critiques of the neoliberal university are ubiquitous. Research is instrumentalised towards the production of quantifiable outcomes for the economy. Academic learning environments are evaluated for effective delivery of... Read More...

Conceptual Cartography: Spatial representations in conceptual art

Session Convenor Elize Mazadiego, KU Leuven Session Abstract Cartography is a defining feature in many conceptualist artworks, from Douglas Huebler’s maps that chart journeys with a felt pen on ordinary topographical road maps to Felipe Ehrenberg’s ‘Tube-O-Nauts Travels’ that document... Read More...

Building a Planetary Imaginary: Information design, contemporary art, and environmental politics

Session Convenors Timothy Stott, Dublin School of Creative Arts, Dublin Institute of Technology Maibritt Borgen, Yale University Session Abstract Charts, plans, tables, graphs, and diagrams are foremost in the dissemination of scientific data and knowledge. These types of information design... Read More...

Blood in Modern and Contemporary Art

Session Convenors Neil MacDonald University of St Andrews Camilla Mørk Røstvik University of St Andrews Session Abstract Art practices that involve human blood have a long and controversial history. Blood has often been considered shocking, despite the ubiquity and frequently benign... Read More...

Artistry in the Spaces of Medicine

Session Convenors Natasha Ruiz-Gómez, University of Essex Mary Hunter, McGill University Session Abstract For hundreds of years, artists and physicians have influenced each other’s work; through collaborations, partnerships and ad hoc junctures, they have expanded the scope of each other’s... Read More...

Art Education: The making of alternatives?

Session Convenors Sue Breakell, University of Brighton Gavin Butt, University of Sussex Matthew Cornford, University of Brighton Naomi Salaman, University of Brighton Session Abstract Modern forms of art education have variously created world-making environments for staff and students to envisage,... Read More...

Art and Xerox

Session Convenors Zanna Gilbert Getty Research Institute, Los Angeles John Tain Asia Art Archive, Hong Kong Session Abstract This session examines the impact of xerography on the production and distribution of art and visual culture. Beginning in the 1960s, when... Read More...

Art and Gentrification in the Changing Neoliberal Urban Landscape

Session Convenors Tijen Tunali, University of Tours, France Session Abstract For the last four decades, art has been integral to the neoliberal governance and policies for new urban planning: to aid social and economic outcomes, to boost the economic environment... Read More...

Art after 1945: At home or homeless?

Session Convenors Donna West Brett, University of Sydney Sarah E James, Goethe-Universität Frankfurt am Main Olivia Tait, University College London Session Abstract  In the wake of radical geopolitical transformations after 1945, numerous theorists of migration have debated the ways in... Read More...

Affective Fashion(s)

Session Convenors: Roberto Filippello, Edinburgh College of Art, The University of Edinburgh Alessandro Bucci, Edinburgh College of Art, The University of Edinburgh Session Abstract: Since the ‘affective turn’ that occurred in the mid-1990s, the term ‘affect’ and its conceptualisations have... Read More...
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