2023 Programme At A Glance
Wednesday 12th April
All Day
09.00-17.00 Registration
09.00-17.30 BookFair
Morning
10.30-12.30
Sessions
- Art, Empire & Nation (pt 1)
- Queer Medievalisms in British Art (pt 1)
- Matter Matters: The Aesthetics and Politics of Soil (pt 1)
- Mongol Bling: From Xanadu to Tabriz to Venice (pt 1)
- Picturing Infrastructure: or the Infrastructure of Picturing (pt 1)
- Victorian Colour Revolution: the Nineteenth Century Chromatic Turn (pt 1)
- Remaking Femininity: Women’s Portraiture in Modern Asian Art and Visual Culture
- Transcultural Asia: Movement of Art and Ideas across Borders
- Visceral Journeys: Art and Anatomy in Medieval and Early Modern Visual Culture
Afternoon
13.30-15.30
Sessions
- Art, Empire & Nation (pt 2)
- Queer Medievalisms in British Art (pt 2)
- Matter Matters: The Aesthetics and Politics of Soil (pt 2)
- Mongol Bling: From Xanadu to Tabriz to Venice (pt 2)
- Picturing Infrastructure: or the Infrastructure of Picturing (pt 2)
- Victorian Colour Revolution: the Nineteenth Century Chromatic Turn (pt 2)
- Against the Nation; Rethinking Canadian Art History in the World
- Photography and 21st century Migration
- Rethinking Global Conceptualism
16.00-17.30
- Professional Programme – book Workshops and Tours now
17.45-19.15
Keynotes and Fellows
Keynote: susan pui san lok
19.30-20.30
Drinks Reception
Thursday 13th April
All Day
09.00-17.00 Registration
09.00-17.30 BookFair
Morning
10.30-12.30
Sessions
- A Common Ground? Exploring Class, Culture and Collections (pt 1)
- Intersections; Gender and Art in the Global South (pt 1)
- Art and Abortion (pt 1)
- Participatory Needlework as Tangible and Intangible Heritage (pt 1)
- Watery Circulations in the Early Modern World (pt 1)
- Chance and Control Today
- New Art and New Arts of Government: Artistic Form and Authoritarian Liberalisms in the 1970s
- Toward a Media History of Art and Design Education
- Vizazi vingi: Tanzanian Modern & Contemporary Art in Regional & Globalising Art Worlds
Afternoon
13.30-15.30
Sessions
- A Common Ground? Exploring Class, Culture and Collections (pt 2)
- Intersections; Gender and Art in the Global South (pt 2)
- Art and Abortion (pt 2)
- Participatory Needlework as Tangible and Intangible Heritage (pt 2)
- Watery Circulations in the Early Modern World (pt 2)
- Critical Histories of the Arts and Crafts Movement
- Design Pedagogy Beyond Utopia: Modernism, Social Change and Everyday Life
- Documenting and Preserving the Undescribed
- Heading Uptown: Art and Activism in the Bronx
- Scales of Landscape, 1750-1900
16.00-17.30
- Professional Programme – book Workshops and Tours now
17.45-19.15
Keynotes and Fellows
Keynote: Tim Barringer
19.30-20.30
Drinks Reception
Friday 14th April
09.00-17.00 Registration
09.00-14.30 BookFair
Morning
10.30-12.30
Sessions
- Animal Drag (pt 1)
- Art and Populism (pt 1)
- Conflicts, Disputes and Protest in Pre-Modern Print and Visual Culture (pt 1)
- Deconstructing Russian Imperialist Aesthetics: Repression, Resistance, and Representation in the Long Nineteeth Century (pt 1)
- Last Works 1500 – 2000 (pt 1)
- Feral Objects: A Proposition for a Speculative Animism
- Picturing Wartime Sexual Violence Before Modernity
- Romantic Legacies in the Twentieth Century
- Written in the Margins: Interpreting Early Modern Artistic Literature
12.45-13.45
Keynote Speech
Keynote: Debra Higgs Strickland
Afternoon
14.30-16.30
Sessions
- Animal Drag (pt 2)
- Art and Populism (pt 2)
- Conflicts, Disputes and Protest in Pre-Modern Print and Visual Culture (pt 2)
- Deconstructing Russian Imperialist Aesthetics: Repression, Resistance, and Representation in the Long Nineteeth Century (pt 2)
- Last Works 1500 – 2000 (pt 2)
- Media and Militarism
- Digital Medievalism
- Uttering: Magical and Alternative Spiritual Practices in Art
- Visualising Addiction