ART HISTORY NEWS Sign Up

2023 Programme At A Glance

Wednesday 12th April

All Day

09.00-17.00         Registration

09.00-17.30         BookFair

Morning

10.30-12.30

Sessions

  • Art, Empire & Nation (pt 1)
  • Queer Medievalisms in British Art (pt 1)
  • Matter Matters:  The Aesthetics and Politics of Soil (pt 1)
  • Mongol Bling: From Xanadu to Tabriz to Venice (pt 1)
  • Picturing Infrastructure:  or the Infrastructure of Picturing (pt 1)
  • Victorian Colour Revolution: the Nineteenth Century Chromatic Turn (pt 1)
  • Remaking Femininity: Women’s Portraiture in Modern Asian Art and Visual Culture
  • Transcultural Asia: Movement of Art and Ideas across Borders
  • Visceral Journeys: Art and Anatomy in Medieval and Early Modern Visual Culture

Afternoon

13.30-15.30

Sessions

  • Art, Empire & Nation (pt 2)
  • Queer Medievalisms in British Art (pt 2)
  • Matter Matters:  The Aesthetics and Politics of Soil (pt 2)
  • Mongol Bling: From Xanadu to Tabriz to Venice (pt 2)
  • Picturing Infrastructure:  or the Infrastructure of Picturing (pt 2)
  • Victorian Colour Revolution: the Nineteenth Century Chromatic Turn (pt 2)
  • Against the Nation; Rethinking Canadian Art History in the World
  • Photography and 21st century Migration
  • Rethinking Global Conceptualism

16.00-17.30

17.45-19.15

Keynotes and Fellows

Keynote:  susan pui san lok

19.30-20.30

Drinks Reception


Thursday 13th April

All Day

09.00-17.00         Registration

09.00-17.30         BookFair

Morning

10.30-12.30

Sessions

  • A Common Ground? Exploring Class, Culture and Collections (pt 1)
  • Intersections; Gender and Art in the Global South (pt 1)
  • Art and Abortion (pt 1)
  • Participatory Needlework as Tangible and Intangible Heritage (pt 1)
  • Watery Circulations in the Early Modern World (pt 1)
  • Chance and Control Today
  • New Art and New Arts of Government: Artistic Form and Authoritarian Liberalisms in the 1970s
  • Toward a Media History of Art and Design Education
  • Vizazi vingi: Tanzanian Modern & Contemporary Art in Regional & Globalising Art Worlds

Afternoon

13.30-15.30

Sessions

  • A Common Ground? Exploring Class, Culture and Collections (pt 2)
  • Intersections; Gender and Art in the Global South (pt 2)
  • Art and Abortion (pt 2)
  • Participatory Needlework as Tangible and Intangible Heritage (pt 2)
  • Watery Circulations in the Early Modern World (pt 2)
  • Critical Histories of the Arts and Crafts Movement
  • Design Pedagogy Beyond Utopia: Modernism, Social Change and Everyday Life
  • Documenting and Preserving the Undescribed
  • Heading Uptown: Art and Activism in the Bronx
  • Scales of Landscape, 1750-1900

16.00-17.30

17.45-19.15

Keynotes and Fellows

Keynote:  Tim Barringer

19.30-20.30

Drinks Reception


Friday 14th April

09.00-17.00         Registration

09.00-14.30         BookFair

Morning

10.30-12.30

Sessions

  • Animal Drag (pt 1)
  • Art and Populism (pt 1)
  • Conflicts, Disputes and Protest in Pre-Modern Print and Visual Culture (pt 1)
  • Deconstructing Russian Imperialist Aesthetics: Repression, Resistance, and Representation in the Long Nineteeth Century (pt 1)
  • Last Works 1500 – 2000 (pt 1)
  • Feral Objects: A Proposition for a Speculative Animism
  • Picturing Wartime Sexual Violence Before Modernity
  • Romantic Legacies in the Twentieth Century
  • Written in the Margins: Interpreting Early Modern Artistic Literature

12.45-13.45

Keynote Speech

Keynote:  Debra Higgs Strickland

Afternoon

14.30-16.30

Sessions

  • Animal Drag (pt 2)
  • Art and Populism (pt 2)
  • Conflicts, Disputes and Protest in Pre-Modern Print and Visual Culture (pt 2)
  • Deconstructing Russian Imperialist Aesthetics: Repression, Resistance, and Representation in the Long Nineteeth Century (pt 2)
  • Last Works 1500 – 2000 (pt 2)
  • Media and Militarism
  • Digital Medievalism
  • Uttering: Magical and Alternative Spiritual Practices in Art
  • Visualising Addiction
Web Design SkiptonWeb Developer Skipton

Copyright 2024. All Rights Reserved