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Danger! Women Reading

Session Convenor Victoria Horne, Northumbria University in Newcastle Session Abstract Throughout modern history the figure of the woman reader has been perceived as potentially subversive or dangerous, ‘a threat to domestic order’ (Long, 2004). She’s a thrillingly ambiguous figure whose... Read More...

Culture, Capital, Collaboration: Towards a new educational exchange

Session Convenor: Trevor Horsewood, Association for Art History Session Abstract: This parallel session acts as a platform for a range of curated conversations around the current and emerging challenges and opportunities for art history in different learning contexts. It builds... Read More...

Critical Pedagogies in the Neoliberal University: Expanding the feminist field in the 21st-century art school

Session Convenors: Marsha Meskimmon, Loughborough University Hilary Robinson, Loughborough University Session Abstract: Critiques of the neoliberal university are ubiquitous. Research is instrumentalised towards the production of quantifiable outcomes for the economy. Academic learning environments are evaluated for effective delivery of... Read More...

Conceptual Cartography: Spatial representations in conceptual art

Session Convenor Elize Mazadiego, KU Leuven Session Abstract Cartography is a defining feature in many conceptualist artworks, from Douglas Huebler’s maps that chart journeys with a felt pen on ordinary topographical road maps to Felipe Ehrenberg’s ‘Tube-O-Nauts Travels’ that document... Read More...

Building a Planetary Imaginary: Information design, contemporary art, and environmental politics

Session Convenors Timothy Stott, Dublin School of Creative Arts, Dublin Institute of Technology Maibritt Borgen, Yale University Session Abstract Charts, plans, tables, graphs, and diagrams are foremost in the dissemination of scientific data and knowledge. These types of information design... Read More...

Blood in Modern and Contemporary Art

Session Convenors Neil MacDonald University of St Andrews Camilla Mørk Røstvik University of St Andrews Session Abstract Art practices that involve human blood have a long and controversial history. Blood has often been considered shocking, despite the ubiquity and frequently benign... Read More...

Artistry in the Spaces of Medicine

Session Convenors Natasha Ruiz-Gómez, University of Essex Mary Hunter, McGill University Session Abstract For hundreds of years, artists and physicians have influenced each other’s work; through collaborations, partnerships and ad hoc junctures, they have expanded the scope of each other’s... Read More...

Art Education: The making of alternatives?

Session Convenors Sue Breakell, University of Brighton Gavin Butt, University of Sussex Matthew Cornford, University of Brighton Naomi Salaman, University of Brighton Session Abstract Modern forms of art education have variously created world-making environments for staff and students to envisage,... Read More...

Art and Xerox

Session Convenors Zanna Gilbert Getty Research Institute, Los Angeles John Tain Asia Art Archive, Hong Kong Session Abstract This session examines the impact of xerography on the production and distribution of art and visual culture. Beginning in the 1960s, when... Read More...

Art and Gentrification in the Changing Neoliberal Urban Landscape

Session Convenors Tijen Tunali, University of Tours, France Session Abstract For the last four decades, art has been integral to the neoliberal governance and policies for new urban planning: to aid social and economic outcomes, to boost the economic environment... Read More...

Art after 1945: At home or homeless?

Session Convenors Donna West Brett, University of Sydney Sarah E James, Goethe-Universität Frankfurt am Main Olivia Tait, University College London Session Abstract  In the wake of radical geopolitical transformations after 1945, numerous theorists of migration have debated the ways in... Read More...

Affective Fashion(s)

Session Convenors: Roberto Filippello, Edinburgh College of Art, The University of Edinburgh Alessandro Bucci, Edinburgh College of Art, The University of Edinburgh Session Abstract: Since the ‘affective turn’ that occurred in the mid-1990s, the term ‘affect’ and its conceptualisations have... Read More...

2019 Annual Conference

4 – 6 April 2019 Brighton The Association for Art History's Annual Conference presents current, international research and critical debate around art,  art history and visual culture. Taking place over 3 days, the Annual Conference is an opportunity to engage... Read More...

A Bacchanal of Truth

Day: Thursday 5 April Convenor Aron Vinegar (University of Oslo) Session Abstract ‘Look out!’ I read this headline for the Annual Conference as a provocation launched in extremis. In the spirit of such an interpretation, this session is an exploration... Read More...

Art and Law: Objects and Spaces as Legal Actors

Day: Saturday 8 April Convenors Jack Hartnell (University of East Anglia) Kevin Lotery (Sarah Lawrence College, New York) Session Abstract This session considers the intersections between visualculture and the law. Art history has long investigated the role of the law,... Read More...

Art and Religion: Theology, the sacred, and visual culture

Day: Friday 6 April Convenors Ben Quash (King’s College London) Ayla Lepine (University of Essex) Session Abstract When art enters religious territory, it can open new spaces of encounter that provoke, illuminate, challenge, and disturb. The attachments of religious conviction,... Read More...

Art, Craft, Science and Industry in Postcolonial Historiographies

Day: Thursday 5 April Convenors: Deborah Swallow (Courtauld Institute of Art) Zehra Jumabhoy (Courtauld Institute of Art) Jahnavi Phalkey (King’s College London) Devika Singh (University of Cambridge) Session Abstract ‘Science in India’ (1982), at London’s Science Museum, was a collaborative... Read More...

Asia through Exhibition Histories

Day: Friday 6 April Convenors Lucy Steeds (Afterall, Central Saint Martins, University of the Arts London) Michelle Wong (Asia Art Archive) Sarah Turner (Paul Mellon Centre, London) Nada Raza (Tate Research Centre: Asia) Session Abstract What does it mean to... Read More...

Aural Affects and Effects: Explicit and implicit sounds and rhythms in contemporary visual media

Day: Friday 6 April Convenors Olga Nikolaeva (University of Gothenburg) Christine Sjöberg (University of Gothenburg) Johnny Wingstedt (Dalarna University) Session Abstract When the body ‘looks out’ it does not only see, but it also perceives the visual by means of... Read More...

Beyond Boundaries: Artistic inquiries into borders and their meaning(s)

Day: Saturday 7 April Convenors Mey-Yen Moriuchi (La Salle University) Lesley Shipley (Randolph College) Session Abstract Borders have played a critical role in the development and distribution of culture, often acting as frameworks that help or hinder our ability to... Read More...
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