Conference: ‘Artists and the Garden: New Perspectives’
Monday 26th – Tuesday 27th September 2022
‘Artists and the Garden: New Perspectives’ will explore the relationship between cultural production and the garden, across creative disciplines and media, from the 18th century until the present day.
This international conference will take place at Hestercombe – a unique estate with four period gardens, which has been decisively influenced and shaped by artists and creative practitioners. Starting with Coplestone Warre Bampfylde, artist, architect, landscape designer, and one of the most distinct, yet overlooked cultural figures of 18th-century Britain, to whom Hestercombe largely owes its unique identity. Then, in the 19th century, Rev John Eagles, a founder member of the Bristol School, created many artworks at Hestercombe. In the early 1900s, Gertrude Jekyll, an artist before becoming a horticulturist, constructed the estate’s world-famous Edwardian garden with Sir Edwin Lutyens. Leading on to the present day, with Hestercombe Gallery delivering a programme of contemporary art exhibitions, which are inspired by the estate and its gardens.
In this historical setting, ‘Artists and the Garden: New Perspectives’ draws together artists, art historians, critics and curators who reflect on the multifaceted web of relations and influences between cultural creativity and the garden. Illustrated papers will explore the historical, contemporary and experiential role of the garden through disciplines as diverse as painting, interior architecture, installation art, literature, garden design and drawing.
The conference keynote is a lecture by Philip White MBE, founder and chief executive of the Hestercombe Gardens Trust, and expert in the life and work of Coplestone Warre Bampfylde (1720-1791), whose 300th anniversary was the impetus for this conference. Philip’s lecture ‘Laying out ground’ C.W. Bampfylde; artist and place maker’ will focus on Bampfylde’s artistic development culminating in his being elected an honorary exhibitor at the Royal Academy; together with a description of the creation and the subsequent restoration of probably his greatest work, Hestercombe’s landscape garden developed over a period of forty years.
Key conference themes consider the garden as a mirror of society, the garden as playground for artistic endeavours, and curating and creativity at Hestercombe – past and present. Topics range from the translocation of plants by the C19th European plant hunters, to the influence of picturesque garden theory on interior architecture in C18th France; from the politics of inclusive public gardens in Germany, to the integration of artistic intervention, botanical sphere and landscape design in contemporary Italian gardens; and from the imaginary labyrinth and pleasure garden, to the role of rhetoric in the understanding and appreciation of gardens.
See the Conference Programme on our website.
Registration fees apply for for non-speaking attendees (£120-150), details on website.