GRANTS FOR ART HISTORY AWARDED

We are pleased to announce recipients of our Grants for Art History.

The Grants for Art History scheme was launched in 2019 to further our mission to advance the study and practice of art history. We offer grants of up to £1,000 to support scholarly research, to develop professional practice and to further the teaching and learning of art history at all education levels. Grants are awarded by our Grants & Prizes Committee.

Applications for the next round of grants for art history are invited by 30 September 2024. Find out how to apply here.

Grants Awarded: Tenth round
We awarded 21 grants to the following recipients.

Image Grants

Meg Dolan, Romanticism of the Irish Landscape: the Dundrum House Photographs of Clementina Lady Hawarden in the Context of Empire

Travel Grants

Elena Konyushikhina, Home and Exile: Russian Millennial Artists Reflecting the Soviet Past
Gerardine Mulcahy, David Remfry RA Collection and Archive
Gianna Scavo, Contours of Belief: Theological Resonance of Drawing in 20th-century Italian Sculptural Practices
Helena Chen, From Paper to Bronze and Back Again: The Forging of Ancient Chinese Bronzes from the Mid-19th to the Early 20th Century
Hettie Judah, Sluts, Flirts & Femmes Fatales: Picturing Women’s Desire
Jasleen Kandhari, Kanga Textiles & Dress : Expressions of Kenyan-Sikh Cultural Heritage & Identity
Joyce Dixon, The Colour Girls: Women and the Colouring of Natural History Prints
Minori Egashira, Okimono: Rethinking Modern Japanese Sculpture and Related Objects
Sirui Li, ‘Tuscan Dominican Nunneries: Art and Reform from the Fourteenth to Sixteenth Centuries’
Tori Champion, Marie-Thérèse Reboul Vien and the Emergence of Neoclassicism

Conference grants

Abbey Rees-Hales, ‘The Flicka Fauve: Sigrid Hjertén and the Nordic Nude’
Bianco Tinoco, “From the Collection to the Museum: Private Contemporary Art Institutions founded by Collectors in Brazil”
Eleanor Stephenson, The Royal Society and Slavery in Jamaica, 1660 to 1714
Emma Davis, ‘Visual assembly – a thought experiment in curating Thérèse Lessore’
Shijia Yu, Tactility, Creativity, and Bourgeois Labor: Re-examining Nineteenth-century Amateur Paper Peepshows
Zaena Sheehan, Porous Bodies: Bio-materialism and Contemporary Art
Zoe Appleby, Materials in Dialogue with an Aqueous Landscape: Marble, Glass, and Shell in San Vitale, Ravenna

Other

Helen Shiner, Moissey Kogan Catalogue Raisonné of Sculpture & Prints Research
Louise Franklin, Chaïm Soutine: The Biography

Grants Awarded: Ninth round
We awarded 20 grants to the following recipients.

Image Grants

Darrelyn Gunzburg, ‘Make and Create: The Craftswomen in the Salone Frescoes of the Palazzo della Ragione’
Mark Stuart Smith, Juan Muñoz: The Politics of Silence
Matthias Pfaller, Silver Compounds: National Histories of Photography in Chile, 1860 – 1960

Travel Grants

Agostinho Pinnock, Smaditaizieshan: The Black Geographies of Jamaican Millennial Art
Alinta Sara, The Invisibility of Black Bodies in Contemporary Art in Morocco
Maximilian Langefeld, Resistance by Existence: Queer Art and Visual Activism in Contemporary China
Maya Love, Decomposition: the corpse and ‘dead’ matter in contemporary art (1990–present)
Miguel Fernandes, Diagramming Digits and Dialectics: embodied cognition and visualization in the Middle Ages
Savannah Whaley, Bobby Baker: Performances Of and Against Motherhood
Vanessa Portugal, ‘Saint Augustine in the New World: Astrology and devotion in Seventeenth-century Western New Spain’

Conference grants

Anastasia Belyaeva, “La main outillée attaque. Elle a le geste hostile”: The Notion of Violence in Printmaking”
Elisabetta Garletti, ‘I Am a Prince at Best, a Thief, a Stable Boy More Often Than Not’ – Michelle Williams Gamaker’s Affective and Fictional Re-Figuring of Sabu’s Cinematic Archive
Helen Shiner, Moissey Kogan Catalogue Raisonné of Sculpture & Prints
Mariagrazia Constantino, ‘A Kind of Multiverse? Traces of a Forgotten Modernity inside Yang Fudong’s Black and White Work’
Mark Sheerin, A New Versailles: Reframing Lascaux for Life Magazine
Samuel Raybone, ‘Impressionism in ‘England’s First Colony’: Art, Empire, and the Making of Modern Wales’

Organising Symposia, Conferences and Workshops

Hannah Geddes, ‘What is next, how do we turn intentions into actions through social justice curation and artist practice?’
Isobel Elstob, The Art of History Conference
Zoe Dostal & Isabel Bird, Pose, Power, Practice: New Perspectives on Life Drawing

Other

Imogen Hart, Critical Histories of the Arts and Crafts Movement
Kathryn Cutler-Mackenzie, An Artistic Turn in Art History

Grants Awarded: Eighth round
We awarded 21 grants to the following recipients.

Image Grants

Alix Beeston, The Image Encounters: Photography, Feminism, and the Art of Being Seen
Cleo Roberts-Komireddi, Indian Art
Hannah Halliwell, First monograph. Art, Medicine, and Femininity: Visualising the Morphine Addict, 1870-1914
Lucia Farinati, Theorising the Artist Interview
Lucy Weir, Performance, Masculinities, and Staging Self-Injury

Travel Grants

Aqsa Ashraf, Native Resistance and Post-Colonial Reception: Colonial
Photographs of 19th century Lucknow
Aurella Yussuf, Black Art and the creation of value in the global art market
Eliza Butler, Inclusive Collecting: Modernism and Art Museums in the United States 1920-1950
Jasleen Kandhari, Sikh Textiles publication
Luis Sandes, Leopoldo Haar, a multifaceted artist and marketing director at Olivetti
Marachiara Tiboni, From the Massaie Rurali to Domus and beyond: assessing Gegia Bronzini’s contribution to Twentieth century textile design
Maximilian Langefeld, Resistance by Existence: Queer Art and Visual Activism in
Contemporary China
Tobias Rosen, Representations of Black Americans and Africans in 1950s East Germany
Valeria Federici, When social became digital: New media art and politics in Italy in the 1980s and 1990s.

Conference Grants

Catia Rodrigues, ‘Comfort’ in Darkness: Anna Mary Howitt’s Spiritualist Drawings
Erdosi Eszter, ‘‘Zoogoers As Caregivers: Gender and Interspecies Care in Liesel Burisch’s Gorilla Milk (2020)’
Lexington Davis, ‘Women’s Work: Second-wave Feminist Art and Domestic Labour Politics’
Nausheen Housein, Presenting a paper at the 18th Colloquium of the Ernst Herzfeld Society for Studies in Islamic Art and Archaeology: Islamic Art in Exchange at the Museum Five Continents, Munich, Germany.
Zara Arshad, Collecting and displaying Korean art, craft and design at the Victoria and Albert Museum (V&A), 1980-2004

Organising Symposia, Conferences and Workshops

Jade French, Crafting Feminism: Collage Scholarship with maker-writer Amy Elkins
Jessie Robertson, Monica Sjöö: The Great Cosmic Mother – Public Programme

Teaching and Learning

Stephanie Farmer, CPD course: One-day Audio description and visual awareness training course

Grants Awarded: Seventh round
We awarded 26 grants to the following recipients.

Image Grants

Christina Faraday, Tudor Liveliness: Vivid Art in Post-Reformation England
Fiona Johnston, AIDS & Representation: Queering portraiture during the AIDS crisis in America
Hope Wolf, Sussex Modernism

Catalog & Public Engagement programs

Fay Blanchard, Exhibition Catalogue: Trickster Figures: Sculpture and the Body

Travel Grants

Billy Rough, Sickert’s Music Halls: ‘the dear old oblong Bedford’ (Walter Sickert, The New Age, 14th July 1910)
Emily Doucet, ‘Kodak created…the Empire adopts’: The Airgraph in British Visual Culture
Fiona Sit, The Nuns and the Vascellare of Trastevere: Women in the Production of Majolicain Seventeenth-Century Rome
Francesca Ramsay, Wilfred Avery and the Unpredictable Image
Giulia Degano, Transversality and disruption in border art and curatorship in the global era
Hanna Mazheika, Cross-cultural objects between England and the Grand Duchy of Lithuania in the early seventeenth century
Hannah Obee, Power, agency and belief: the China Closet of the Countess of Burlington (1699-1758)
Jane Downs, The Lighthouse: A Visual History
Louise Franklin, Chaim Soutine: the Biography
Luise Moerke, Innovate/dilapidate. Selly Raby Kane’s entrepreneurial Afrofuturism
Melissa Gustin, G F Watts: England’s Michelangelo and the Art of the Past
Minji Chun, Collective Intervention through Art: The Eulji OB Bear Case Study
Miguel Gaete, James McNeill Whistler in Valparaiso: A Research Trip to the Glasgow University Library
Nadine Nour el Din, Mr and Mrs Mohamed Mahmoud Khalil Museum/Historic House Museums in Cairo

Conference Grants

Amanda Hilliam, A Love of Line: Quattrocento Goldsmith-Painters and their Sharp Instruments
Jun Zhang, Contemporary Artworks Based on Chinese Characters Since the 85 New Wave
Marta Zboralska, Peripheral Vision: Sherrie Levie’s Diary (2019) as part of Problematising the Notion of “Eastern European Art”: Two Case Studies of a Multiplicity

Organizing Symposia, Conferences and Workshops

Alina Khakoo, Radical Art in Cambridge
Ambra D’Antone, Abiding Present: Challenging Time in Art History
Andrew Horn, Interdisciplinary conference: ‘Sacred Drama’: Art, Devotion and Performance in the Age of Religious Reform (c. 1500–c. 1700)
Ruth Ezra & Francesca Borgo, Wastework

Professional Practice

Samia Malik, WOCI (Women of Colour Index) Reading Group Book

Grants Awarded: Sixth round
We awarded 26 grants to the following recipients.

Image Grants

Corinne Chong, Art, Music, and Mysticism at the Fin-de-siécle: Seeing and hearing the beyond
Isabelle Gapp, A Circumpolar Landscape: Art and Environment in Scandinavia and North America, 1890-1930
Leah Clark, Courtly Mediators: Transcultural Objects Between Renaissance Italy and the Islamic World
Marte Stinis, Immersion through Authenticity: Lawrence Alma-Tadema’s Classicism and Theatre
Monica Steinberg, ‘Boggs Bills: Contrast Agents in the Art Market and in Law, or How to Make Money as an Artist

Catalogues & Public Engagement Programs:

Lorna Rose, Plymouth Sound

Travel Grants

Aleksandra Rutkowska, Royal memoria at the pantheon of San Isidoro of León
Alina Khakoo, South Asian diasporic artmaking in 1980s Britain
Alyson Lai, German Expressionism and Modes of Living in the Not-Yet
Amelia Groom, “I Scatter Myself” (Claude Cahun and Marcel Moore as Environmental Artists)
Emma Wingfield, Contemporary Handweaving in Northern Côte d’Ivoire: Field Season 2022
Jasleen Kandhari, The Kenyan Kanga: The Coastal Dress of Kenya publication
Joshua Jenkins, Joseph Gillott and the Rise of the Collector-Dealer
Julia Faiers, Louis d’Amboise and the invisible tomb
Katia Denysova, Fragmented Identities: Between Cosmopolitanism and Nationalism in Ukrainian Avant-Garde Art
Mark Rawlinson, American Photography’s Minor Histories
Monica Lindsay-Perez, Marketing Race and Gender in Early Twentieth-Century Spain
Nausheen Hoosein, From Umayyad Madinat al-Zahra to Almohad Seville: The Reuse of Architectural Spolia in al-Andalus during the 12th century
Philip Muijtjens, The Cardinal of Portugal’s Burial Chapel in Florence and International Female Burgundian Patronage: A visit to the Archives Départementales du Nord in Lille.
Tania Cleaves, Nudes of All Nations: Anatomising Skin Colour
Vanessa Boni, Leonora Carrington: A Reparative Sensibility
Xiangming Chen, Picturing China: Illustrated Books on China in Edo Japan

Conference Grants

Christina Heflin, Eileen Agar’s Self-Curated Legacy at the Tate Archives

Other

Christine Slobogin, Drawing Blood Podcast: Seasons Two and Three
Samia Malik, WOCI (Women of Colour Index) Reading Group Book
Heidi Day, National Extension College A Level History of Art

Grants Awarded: Fifth round
We awarded 21 grants to the following recipients.

Image Grants

Arlene Leis, Women, Collecting and Cultures Beyond Europe
Daniel Fountain, Crafted With Pride: Queer Craft and Activism in Britain
Elisabetta Toreno, Netherlandish and Italian Female Portraiture in the Fifteenth Century: Gender, Identity and the Tradition of Power
Hannah Halliwell, Art, Medicine, and Femininity in Paris: Visualising the Morphine Addict, 1884-1914
Imogen Whiltshire, Thematic issue European Judaism: Migration, Memory and the Visual Arts: Second-Generation (Jewish) Artists
Peter Bokody, The Imagery and Politics of Sexual Violence in Early Renaissance Italy
Victoria Scott, Maoism and the French Posters of 1968: The Betrayal of Beauty slated to be published with Brill in 2023

Catalogues & Public Engagement Programs:

Lorna Dillon, The Politics of Textile Art
Rachel Warriner and Sarah Kelleher, OutArt, LGBTQ+ exhibition culture in Ireland

Travel Grants

Anna Reeve, Ancient designs, modern wares: Cypriot antiquities in the Potteries Museum and Art Gallery
Deniz Karakas , ‘Artful Nature and Encounters through Sound in Istanbul: The Legacy of the Fountain of Ahmed III’
Gabriella Daris, Yoko Ono’s Art of Orientation: Instructionalization and Counter-Institutionalization
Sara Ayres, “Curating Prints and Privacy under Enlightened Absolutism in Denmark”
Sarah Griffin, Time-Reordered: The changing shape of late medieval calendars

Conference Grants

Ambra D’Antone, ‘Surrealist Art Histories’ – Panel Discussion at the 2021 Annual Conference of the International Society for the Study of Surrealism (ISSS)
Frankie Dytor, Queering the Archive
Isobel Harbison, An Inventory of Traces (Part 2)
Kate Cowcher Scotland, Art and Africa Symposium
Katherine Reinhart and Matthijs Jonker, Images & Institutions: The Visual Culture of Early Modern Scientific Societies
Victoria Horne, Art Publishing, Periodicals and Printed Things

Other

Rebecca Gordon, Performative interviewing as a new methodology in the care of contemporary art

Grants Awarded: Fourth round
We awarded 28 grants to the following recipients.

Image Grants

Charlotte de Mille, Bergson in Britain 1890-1914: Modern Art and Philosophy
Gabriella Nugent, Colonial Legacies: Contemporary Lens-Based Art on, of and from the Democratic Republic of Congo
Imogen Hart, Althea McNish: Designs without Borders
Isabelle Gapp, Water in the Wilderness: The Group of Seven and the Coastal Identity of Lake Superior
Kimberly Schreiber, Kodachrome Plantation: Bruce Jackson’s Color Prison Photography
Sara Ayres, The Counterfeit Consort: Transmasculine Divinities in Renaissance Royal Portraits

Catalogues & Public Engagement Programs:

Josephine Cook, “Film, Architecture, and the Archive”
Tiffany Boyle (Mother Tongue), ‘AfroScots: Revisiting the Work of Black Artists in Scotland through New Collecting’

Travel Grants

Beth Williamson, Art and Education: The Modernist Networks of William Johnstone
Eliza Goodpasture, Kindred Spirits: Friendship and Ambition Among Women Artists, 1870-1920
Elize Mazadiego, Decentralizing Conceptual Art’s Internationalism: Latin American Artists in Western Europe, 1968-1979
Frances Varley, Identity and Regionalism in Britain and the United States from a Comparative Perspective, c. 1870-1914
Fuchsia Hart, From Stoke-on-Trent to Tehran: English Ceramics at the Court of Fath ʿAli Shah (R.1797-1834)
Hannah Yip, The Clergy and Artistic Recreation in Early Modern Britain
Haoyang Zhao, Collecting objects looted from the Yuanming Yuan in the mid-late 19th century British collections, the transformation of identities, receptions and outcomes – a case study of Huangchao Liqi Tushi
Helena Vilalta, Howardena Pindell: Punching and Counting
Jamie Danis, Connecting the Dots: Howardena Pindell’s Dot Paintings 1974–80
Kate Keohane, Re-Routing: Frank Bowling’s Zipper paintings
Miguel Angel Gaete “Globus Zeitschrift: racialist perspectives, and the view of South American people in Otto Grashof’s illustrations. A research trip to the Deutsche Nationalbibliothek.”
Nushelle de Silva, Protocols for the Peripatetic: Infrastructures of Exhibition Exchange in the Modern Museum
Paulina Caro Troncoso, Towards a Poetics of Revolution: Roberto Matta’s works from the 1960s and 1970s.
Wen Yao, Stella Snead as a World Traveller: Mobility and Representation in her Paintings, Photographs, Collages and Writings

Conference Grants

Jasleen Kandhari, Sikh Comics Art
Jose Segebre, What are We Waiting For? Toward a Critique of Temporality in Queer, Feminist and Decolonial Aesthetics
Martina Caruso, Threshold landscapes from the Mediterranean in contemporary lens-based media
Stacey Pierson Study day: The Oriental Ceramic Society: 100 Years of Collecting, Exhibitions and Scholarship

Other

Louise Mackuin, National Extension College A Level History of Art
Dr Caroline McCaffrey-Howarth (on behalf of Traveling Sisterhood of Art Historians), Travelling Sisterhood of Art Historians Podcast: Podcast Series Two (‘Bodies’) and Series Three (‘Childhood’)

Grants Awarded: Third round
We awarded 28 grants to the following recipients.

Image Grants

Charlotte Gould, British Art and the Environment: Changes, Challenges and Responses Since the Industrial Revolution
Christina S. Martinez, Art, Law and Order: The Legal Life of Artists in Eighteenth-century Britain
Sarah Griffin, The Shape of Time: Aligning the Medieval Present with the Biblical Past in the Diagrams of Opicinus de Canistris (1296–c. 1352)
Stephanie O’Rourke, Art, Science, and the Body in Early Romanticism: The Evidence of Experience at the End of Enlightenment
Ceren Ozpinar, The Art Historiography in Turkey (1970-2010): A Critical Analysis of Art Historical Narratives
Elizabeth Block, Dressing Up: American Women and French Fashion
Lucy Whelan, Pierre Bonnard: Beyond Vision
Rosalind Polly Blakesley, Women Artists at the Court of Catherine the Great
Sarah James, Paper Revolutions: An Invisible Avant-Garde
Simon Shaw-Miller, Improvision: Orphic Art in the Age of Jazz

Catalogues & Public Engagement Programs:

Ben Uri Gallery, Becoming Gustav Metzger: The Early Years- 1945-1959
Tiffany Boyle, 7×7 – Curatorial Project & Exhibition

Travel Grants

Aisha Tahir, Upstairs Downstairs: Sir Charles Allom, Elsie de Wolfe and the interior design of One East Seventieth Street
Aleksandra Gajowy, Finding the Muranów Lily: Unearthing queer Jewishness in Polish Art
Lucy Bailey, Cataloguing the Library at Farnley Hall, amassed by Walter Fawkes 1769-1825, MP and Patron of the Arts
Anne Grasselli, The Harmonised Whole: Wassily Kandinsky and Laws in Visual Perception from 1896 until 1933
Cecilia Ruggeri, The reception and translation of Raphael’s oeuvre in the sixteenth and seventeenth-century tapestry production
Nela Milic, Olga Jevric exhibition and monograph
Clare Nadal, Women, Art and West Cornwall: 1939-1975
Emily Averiss, Representations of Filipina Fashion in the work of Juan Luna
Joana Balsa de Pinho, Hospital architecture in the premodern Southern Europe: the reception of Italian models in Portugal
Miguel Angel Gaete Caceres, Johann Moritz Rugendas and Carl Alexander Simon: German traveller artists in South America and the missing link with the Nazarenes in Rome
Melanie Stephenson, The Hatton Gallery will be the Scene of an Experiment

Conference Grants

Carey Gibbons, The Substance of the Self: The Illustrations of Arthur Hughes
Helyn Haley, The Show Must Go On: Manifestations and Impilcations of Southern Cultural Memory in Rosalind Fox Solomon’s Liberty Theater
Victoria Horne, Visual Culture Methods for Periodical Studies
Ewelina Warner, Decolonising Postsocialism

Other

Natalie Lawler, Bashed, dragged, and hauled: the materials and methods of Joan Eardley in Glasgow and Catterline

Grants Awarded: Second round
We awarded 17 grants to the following recipients.

Images

Deborah Lewittes, City University of New York, The Shape of the City to Come: Rethinking London, C.1939-1951
Gabriella Nugent, University College London, From Camera to Canvas: The Case of Patrice Lumumba and Congolese Popular Painting
Monica Steinberg, University of Hong Kong, Financial True Crime: Art, Para-Journalism, and Data-Driven Storytelling
Alexandra Chiriac, Independent Scholar, M. H. Maxy and the Bucharest Avant-Garde: from Design to Scenography
Freya Gowrley, University of Derby, Domestic Space in Britain, 1750-1840: Materiality, Sociability and Emotion

Catalogues and Public Engagement Programmes

Emma Roberts, Liverpool John Moores University, Curating an Exhibition of Contemporary Jamaican Art in Liverpool and Providing Educational Activities
Fay Blanchard, MK Gallery, Ingrid Pollard Catalogue

Travel

Lynn Somers, Independent Scholar, Transformative Objects and the Aesthetics of Play: Louise Bourgeois’s Sculpture, 1945–2010
Helen Kohn, Courtauld Institute of Art, Wyndham Lewis and the hidden Vorticist paintings
Elizabeth Waring, University of York, ‘Most Women have no Characters at all’: Gender and Agency in Godfrey Kneller’s Portraits of Women 1676-1723
Courtney Schum, University of Bristol, ‘A Meeting Place for All’: The Folkets Hus and Visual Culture of the Danish Labour Movement, 1879 to Present Day
Rachael Grew, Loughborough University, Research visit to Paris and Moulins
Kathleen Davidson, The University of Sydney, Cosmopolitan Nature: Visual Culture and Acclimatization Networks in the Global Nineteenth Century

Conference

Kaylee Alexander, Duke University, ‘A Sensitive Man…At Fair Prices’ : Marbriers and funerary monuments in 19th-century Paris
Paulina Caro Troncoso, University of Edinburgh, Matta’s Surrealism, Revolution, and Solidarity in the 1960s and 1970s
Susan May, Birmingham School of Art, The Marvels of Rome, the first English translation of a twelfth-century Latin guidebook, published in 1889 by Ellis and Elvey of London

Teaching and Learning

Bronwyn Brady, Independent Scholar, A level Art History online course

Grants Awarded: First round
We awarded 26 grants to the following recipients.

Publication

‘Fabricating Publics: The Dissemination of Culture in the Post-Truth Era’, Published by Data Browser & Open Universities Press

Image

The Omega Workshops and the Modern Artistic Interior on the British Stage, 1914-1918, with special reference to ‘The Wynmartens’ (1914) , Published in Interiors: Design/Architecture/Culture by Taylor and Francis
Reflexions: Photography in Contemporary France, Published by Leuven University Press
Modern Spiritualism and Scottish Art, 1860-1940, published by Bloomsbury Academic Publishers
The Materiality of Exhibited Photography in the Modernist Era: Forming Content, published by Routledge
Scented Visions: Smell in Art, 1850-1914, published by Pennsylvania State University Press
Remade in America: Surrealist Art, Activism and Politics 1940-1978, published by University of California Press
Cultural Diplomacy in Regional Art Institutions, Published in Visual Studies by Taylor and Francis

Travel

Word and Image Research Group, The University of Amsterdam
Imagining Landscape and Myth in Scottish Art, Isle of Skye
Research trip to the Harry Ransom Centre at the University of Texas, Austin
Research trip to the Instituto de Artes Gráficas, Oaxaca
Research trip to the Rijksmuseum and Teylers Museum, Amsterdam
Research trip to Howard University Art Gallery, the Archives of American Art and the National Gallery,Washington & Philadelphia
Research trip to visit the National Archives and the archive of the Royal Geographic Society, London

Conferences

‘Attention! Paris Dada’ at the University of Glasgow
‘Weave it! Workshops: learning through making with the Bauhaus women’s workshops’ at Stour Space, Hackney
‘Jewish Migration and the Visual Arts: Representing the Second Generation Experience’ at Leicester
‘…In or about 1970…’: Artists, Writers, and Feminist Thought’ at Loughborough University
‘Ingrid Pollard Symposium’ at the University of Exeter
‘Group Work: Contemporary Art and Feminism’ at Goldsmiths University and Kettles Yard
‘Art History in Climate Change’ at The Courtauld Institute of Art
‘Hayley 2020’ at the Fitzwilliam Museum, Cambridge

Professional Practice

‘The sublime Truths of Science are no longer confined to the wealthy and the learned’ in Edinburgh
A podcast project in Liverpool
‘Curious Curators’ in Salisbury

Applications for the next round of grants for art history are invited before 30 September 2024. Find out how to apply here.

Image: From the 2013 exhibition Momentous Times at The Centre for Contemporary Art (CCA), which received grant funding from the Association.