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Association for Art History Curatorial Prizes

The Association for Art History is pleased to announce that applications are now open for the AAH Curatorial Prizes 2026.

These annual awards celebrate the vital work of curators in UK museums and galleries, recognising excellence in exhibitions and displays and curatorial writing and publications. The prizes highlight innovative and intellectually rigorous curatorial practice that contributes to public understanding of art and visual culture.

Open to individual curators and curatorial teams, the awards honour originality, public value, and contemporary relevance. Winners will be selected by panels of leading figures in the field:

Exhibitions and Displays Panel

Caroline Campbell

Director, National Gallery of Ireland

Tristram Hunt

Director, V & A Museum

SARAH MUNRO

Artistic Director/CEO, Baltic Centre for Contemporary Art

Sook-Kyung Lee

Director, Whitworth Art Gallery and Professor of Curatorial Practice, The University of Manchester

Curatorial Writing and Publications Panel

Gillian Malpas

CEO, Modern Art Press

Christine Riding

Director of Collections and Research, National Gallery 

Fatoş Üstek

Independent Curator and Writer

Kamini Vellodi

Head of Painting, Royal College of Art

The Prizes

Curatorial Writing and Publications

This prize recognises publications of art historical significance produced by the museum and gallery sector. Submissions may be aimed at a general or specialist readership but should be grounded in original research. Published in 2025, eligible works may include exhibition catalogues, museum guides, monographs and articles, as well as other less traditional formats, and may be printed or digital. The panellists are looking to acknowledge and reward significant contributions to knowledge as well as public value.

Exhibitions and Displays

This prize celebrates excellence in the curation of exhibitions and displays and their success in communicating art historical research to audiences. Key factors include the originality of the exhibition’s or display’s concept, the significance and rigour of the accompanying research, as well as the effectiveness and inspiring character of the show’s or display’s presentation and engagement with the public.

The awards are open to temporary exhibitions and to permanent or temporary displays that reinterpret or reimagine collections, and commissions, regardless of scale or budget. The exhibitions and displays prize can be awarded to a single curator or a curatorial team who participated in the conception and presentation of an exhibition or display. To be eligible, an exhibition or display must have opened during the calendar year 2025 at a UK non-profit venue, or online, and have been organised or co-organised by UK-based curators.

Guidance Notes

To apply or nominate for one of the two Curatorial Prizes please email a completed Application form or a Nominators form, alongside an Equal Opportunities Monitoring form in PDF format to: info@forarthistory.org.uk using the subject line, Association for Art History Curatorial Prizes.

Curatorial Prize Application Form

Curatorial Prize Nominators Form

Equality & Diversity Monitoring Form

Please note that only applications that are submitted using the Application Form or the Nominators Form will be accepted. Staff members and trustees of the Association for Art History and their relatives and partners are not eligible to apply.

The application deadline for the 2026 awards – for projects which debuted in 2025 – is Friday 6 March. 

Please note that individuals may nominate themselves or others for these prizes. In assessing applications the panel will consider which projects best fulfilled the following criteria (at least one must be satisfied):

  • Diversity and inclusion: did it help broaden and make more inclusive the subject and practice of art history?
  • Excellence: did the project demonstrate excellence in art historical research in terms of rigour, originality or impact on the field?
  • Relevance: did it help signal the contemporary relevance of art and its histories?
  • Public value: did it communicate effectively with its intended audiences?

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