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Art History, Architecture, Visual Culture

London, Asia, Exhibitions, Histories

7th June 2022

Activism Rooted in Tradition: Artistic Strategies for Raising Environmental Awareness in Anatolia

7th June 2022

Decolonizing Art History

7th June 2022

Skin and Bone: Surface and Substance in Anglo-Colonial Portraiture

7th June 2022

Journeying through Modernism: Travels and Transits of East Pakistani Artists in Post-Imperial London

7th June 2022

Critical Race Art History

7th June 2022

Olmec Colossal Heads in the Paintings of Aubrey Williams

7th June 2022

Beyond the Mirror: Indigenous Ecologies and ‘New Materialisms’ in Contemporary Art’

7th June 2022

Against Internationalism

7th June 2022

Modern Native American Art: Angel DeCora’s Transcultural Aesthetics

7th June 2022

A Photobook of the Shimmer: Pearl Fisheries, Photography, and British Colonialism in South Asia

7th June 2022

Yet in a Primitive Condition: Edward S. CurtisÂ’s North American Indian

7th June 2022

Blood, Fire, and Interiority in Horace OvÃ©Â’s Pressure

7th June 2022

Delicacy and Danger

7th June 2022

Migrants, Asylum Seekers and British Identity

7th June 2022

A Bastion of Colonialism: Public perceptions of the British Museum and its Relationship to Empire

7th June 2022

Re-reading the Indian in WestÂ’s Death of General Wolfe

7th June 2022

Painting/Politics/Photography: Marlene Dumas, Mme Lumumba and the Image of African Woman

7th June 2022

Dismantling the Master’s House: Thoughts on Representing Empire and Decolonising Museums and Public Spaces in Practice

7th June 2022

Diasporic Returns: Reading Partition in Contemporary Art

7th June 2022

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