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Art History, Architecture, Visual Culture
Disorienting the Art World: Mona Hatoum in Istanbul
7th June 2022
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Ought We Not to Establish ‘Access to Food’ As a Species Right?
7th June 2022
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Gurinder Chadha and the Apna generation: Black British film in the 1990s
7th June 2022
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From Supply Lines to Resource Ecologies: World of Matter
7th June 2022
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Partisan Aesthetics: Modern Art and India’s Long Decolonization
7th June 2022
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An Eye for the Tropics: Tourism, Photography, and Framing the Caribbean Picturesque
7th June 2022
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Shine: The Visual Economy of Light in African Diasporic Aesthetic Practice
7th June 2022
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A Cultural History of the Human Body in the Age of Empire,
7th June 2022
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Queer: Sunil Gupta
7th June 2022
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Treasures of the Albert Hall, Jaipur
7th June 2022
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Black Saints in Early Modern Global Catholicism
7th June 2022
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Art and Masculinity in Post-War Britain
7th June 2022
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Unpacking Culture: Art and Commodity in Colonial and Postcolonial Worlds
7th June 2022
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The Whole Picture: The Colonial Story of the Art in Our Museums and Why We Need to Talk About It,
7th June 2022
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An Economy of Colour: Visual Culture and the Atlantic World, 1660–1830
7th June 2022
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British art and the East India Company: The Worlds of the East India Company
7th June 2022
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Empire to Nation: Art, History, and the Visualization of Maritime Britain, 1768-1829
7th June 2022
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Imperial Persuaders: Images of Africa and Asia in British Advertising
7th June 2022
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Tantra: Enlightenment to Revolution
7th June 2022
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Creating Memorials, Building Identities: The Politics of Memory in the Black Atlantic
7th June 2022
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