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Race and Britain

By cruel foes oppress’d: British naval draughtsmen in Tahiti and the South Pacific in the 1840s

7th June 2022

Art history and double consciousness: visual culture and eighteenth-century maritime Britain

7th June 2022

Reenacting Cook’s Voyages in Nineteenth-Century Visual Culture

7th June 2022

Making Waves

7th June 2022

Brexit and Empire: ‘Global Britain’ and the Myth of Imperial Nostalgia

7th June 2022

Flinders Petrie and Eugenics at UCL

7th June 2022

Disparate in Voice, Sympathetic in Direction: Gendered Political Blackness and the Politics of Solidarity

7th June 2022

Conference Proceedings: Photography and Britishness

7th June 2022

Frank Bowling and the Appetite for British Pop

7th June 2022

Mapping Decolonisation: Exhibition Floor Plans and the End of Empire at the Commonwealth Institute

7th June 2022

What is Black British Feminism

7th June 2022

Denis Williams’s London

7th June 2022

Eugene Palmer and Barbara Walker: Photography and the Black Subject

7th June 2022

June Givanni’s Pan-African Cinema Archive: A Diasporic Feminist Dwelling Space

7th June 2022

The Aesthetics of Migration in an Age of Anxiety: Zineb Sedira, Allan deSouza, and Mary Evans

7th June 2022

“Exciting a Wider Interest in the Art of IndiaÂ”: The 1931 Burlington Fine Arts Club Exhibition

7th June 2022

Haptic Blackness: The Double Life of an 18th-century Bust

7th June 2022

Ethnicity and internationally: New British art and diaspora based blackness

7th June 2022

London, Asia, Exhibitions, Histories

7th June 2022

Olmec Colossal Heads in the Paintings of Aubrey Williams

7th June 2022

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