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Race and Britain

Brexit and Empire: ‘Global Britain’ and the Myth of Imperial Nostalgia

7th June 2022

Flinders Petrie and Eugenics at UCL

7th June 2022

Disparate in Voice, Sympathetic in Direction: Gendered Political Blackness and the Politics of Solidarity

7th June 2022

Conference Proceedings: Photography and Britishness

7th June 2022

Frank Bowling and the Appetite for British Pop

7th June 2022

Mapping Decolonisation: Exhibition Floor Plans and the End of Empire at the Commonwealth Institute

7th June 2022

What is Black British Feminism

7th June 2022

By cruel foes oppress’d: British naval draughtsmen in Tahiti and the South Pacific in the 1840s

7th June 2022

Art history and double consciousness: visual culture and eighteenth-century maritime Britain

7th June 2022

Reenacting Cook’s Voyages in Nineteenth-Century Visual Culture

7th June 2022

Making Waves

7th June 2022

Eugene Palmer and Barbara Walker: Photography and the Black Subject

7th June 2022

June Givanni’s Pan-African Cinema Archive: A Diasporic Feminist Dwelling Space

7th June 2022

The Aesthetics of Migration in an Age of Anxiety: Zineb Sedira, Allan deSouza, and Mary Evans

7th June 2022

“Exciting a Wider Interest in the Art of IndiaÂ”: The 1931 Burlington Fine Arts Club Exhibition

7th June 2022

Haptic Blackness: The Double Life of an 18th-century Bust

7th June 2022

Ethnicity and internationally: New British art and diaspora based blackness

7th June 2022

London, Asia, Exhibitions, Histories

7th June 2022

Denis Williams’s London

7th June 2022

A Bastion of Colonialism: Public perceptions of the British Museum and its Relationship to Empire

7th June 2022

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