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Race and Britain
By cruel foes oppress’d: British naval draughtsmen in Tahiti and the South Pacific in the 1840s
7th June 2022
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Art history and double consciousness: visual culture and eighteenth-century maritime Britain
7th June 2022
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Reenacting Cook’s Voyages in Nineteenth-Century Visual Culture
7th June 2022
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Making Waves
7th June 2022
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Brexit and Empire: ‘Global Britain’ and the Myth of Imperial Nostalgia
7th June 2022
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Flinders Petrie and Eugenics at UCL
7th June 2022
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Disparate in Voice, Sympathetic in Direction: Gendered Political Blackness and the Politics of Solidarity
7th June 2022
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Conference Proceedings: Photography and Britishness
7th June 2022
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Frank Bowling and the Appetite for British Pop
7th June 2022
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Mapping Decolonisation: Exhibition Floor Plans and the End of Empire at the Commonwealth Institute
7th June 2022
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What is Black British Feminism
7th June 2022
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Denis Williams’s London
7th June 2022
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Eugene Palmer and Barbara Walker: Photography and the Black Subject
7th June 2022
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June Givanni’s Pan-African Cinema Archive: A Diasporic Feminist Dwelling Space
7th June 2022
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The Aesthetics of Migration in an Age of Anxiety: Zineb Sedira, Allan deSouza, and Mary Evans
7th June 2022
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“Exciting a Wider Interest in the Art of India”: The 1931 Burlington Fine Arts Club Exhibition
7th June 2022
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Haptic Blackness: The Double Life of an 18th-century Bust
7th June 2022
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Ethnicity and internationally: New British art and diaspora based blackness
7th June 2022
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London, Asia, Exhibitions, Histories
7th June 2022
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Olmec Colossal Heads in the Paintings of Aubrey Williams
7th June 2022
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