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Race and Britain

A Photobook of the Shimmer: Pearl Fisheries, Photography, and British Colonialism in South Asia

7th June 2022

Blood, Fire, and Interiority in Horace OvÃ©Â’s Pressure

7th June 2022

Migrants, Asylum Seekers and British Identity

7th June 2022

A Bastion of Colonialism: Public perceptions of the British Museum and its Relationship to Empire

7th June 2022

Introduction Black British Feminisms: Many Chants

7th June 2022

Skin and Bone: Surface and Substance in Anglo-Colonial Portraiture

7th June 2022

Journeying through Modernism: Travels and Transits of East Pakistani Artists in Post-Imperial London

7th June 2022

Frank Bowling’s White Paintings

7th June 2022

Diasporic Returns: Reading Partition in Contemporary Art

7th June 2022

Picturing Resistance and Resilience: South Asian Identities in the Work of Chila Kumari Burman

7th June 2022

Researching Exhibitions of South Asian Women Artists in Britain in the 1980s

7th June 2022

Self-Portraiture and Representations of Blackness in the Work of Donald Rodney

7th June 2022

Sonia Boyce: Beyond Blackness

7th June 2022

Illness as Metaphor: Donald Rodney’s X-ray Photographs

7th June 2022

John Akomfrah: Multichannel Prehensions

7th June 2022

Notes on Â‘A Revolutionary Legacy: Haiti and Toussaint LouvertureÂ’ at the British Museum

7th June 2022

New Directions in Black British Art History: Some Considerations

7th June 2022

Through the Wire: Black British People and the Riot

7th June 2022

Haiti in the British Imagination: Imperial Worlds, 1847-1915

7th June 2022

Capitalism and Slavery

7th June 2022

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